Jason Epstein, in the March 11 edition of The New York Review of Books, predicts how the digital revolution is going to change the publishing industry in “Publishing: The Revolutionary Future.”
It sounds like the challenge will become, not getting work published, but getting it noticed. The good news is this may end the stranglehold on the market of huge conglomerate publishing houses, more interested in the next blockbuster celebrity book than a well-written tale from a “nobody.”
“I’m nobody … are you nobody too?” to paraphrase Emily Dickinson.
Rice University Press has implemented an innovative print-on-demand publishing business for their academic press. It makes a lot of sense. A VCU professor, Nicholas Frankel, is one of the two editors for their Literature by Design series.
Literature by Design: British and American Books 1880-1930 consists of literary works … that foreground the vehicle of the book and the visible nature of language itself. Literature by Design titles incorporate facsimile reproductions of the original editions—all of which are noteworthy for the role design and typography played in shaping readers’ responses—along with new critical material by leading contemporary scholars.
This one was printed on wallpaper originally. That swirl was in the wallpaper design. A book like this would only have been seen in a rare book collection, until now.